![]() In this position, the volume control acts just like an "off" switch, but without the annoying click you might get with an ordinary switch. At lowest volume, the slider would be at the right side, effectively shorting the mic's output so that no signal goes to the amp. This offers the highest resistance to ground (minimal load on the mic) and least resistance to the amp (zero ohms). I wanted to reproduce the functionality of this control, but in an even smaller package and with better structural design.Īt full volume, the pot's "slider" is at the far left of the resistor in the diagram. Today, it is a prized collector's item, and good examples sell for as much as $300. Q: What was the inspiration for this product?Ī: Many years ago, Switchcraft (manufacturer of many connectors for audio and radio frequency use) made the "Nr. You can move the control from mic to mic easily, making it far less expensive than adding built-in controls to individual mics. The control positions the knob where it is not prone to "accidental adjustment." This can be a real problem with on-mic controls as you constantly re-adjust your cupping/holding hand position. This is useful for many reasons, such as setting the maximum volume attainable without feedback, adjusting for quieter harps (Low D comes to mind,) or "backing off" a bit when filling behind anothers' solo or vocal. Q: What is the In-line Volume Control for?Ī: The control provides harmonica players with the ability to quickly adjust volume during performance without having to be close to the amplifier, AND to get close to the amp to make adjustments without worry. ![]()
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